V 3.7.0 - 2019-04-22 ----------------------------------------------------------- - Introduced new BMD Film log conversion LUTs using the latest color science from BMD. - Moved old BMD Film log conversion LUTs to Legacy folder. - Introduced Nikon N-Log log conversion LUTs. - Introduced updated Canon Log log conversion LUT which fixes the issue of saturated reds. - Introduced updated Panasonic Cine-D log conversion LUT. - Introduced updated Sony Cine-4 log conversion LUT - Fixed an issue where some Movies Inspired LUTs would exhibit red banding in deep shadows if object in shadows had red color New LUTs: BMD Wide Gamut - BMD Film 4K to DCI P3 BMD Wide Gamut - BMD Film 4K to Rec709 BMD Wide Gamut - BMD Film 46K to DCI P3 BMD Wide Gamut - BMD Film 46K to Rec709 BMD Wide Gamut - BMD Film Pocket 4K EI400 to DCI P3 BMD Wide Gamut - BMD Film Pocket 4K EI400 to Rec709 BMD Wide Gamut - BMD Film Pocket 4K EI3200 to DCI P3 BMD Wide Gamut - BMD Film Pocket 4K EI3200 to Rec709 BMD Wide Gamut - BMD Film to DCI P3 BMD Wide Gamut - BMD Film to Rec709 Canon Cinema Gamut - Canon Log to Rec709 - Contrast Only Panasonic Cine-D to Rec709 - Contrast Only Rec2020 - Nikon N-Log to DCI P3 Rec2020 - Nikon N-Log to Rec709 Updated LUTs: Call Me by Your Name The Post The Shape of Water Sony S-Gamut3 Cine - Cine4 to DCI P3 Sony S-Gamut3 Cine - Cine4 to Rec709 Deprecated LUTs: Canon Cinema Gamut - Canon Log to DCI P3 Canon Cinema Gamut - Canon Log to LC709A Canon Cinema Gamut - Canon Log to Rec709 Panasonic Cine-D to DCI P3 Panasonic Cine-D to Rec709 V 3.5.0 - 2018-06-28 ----------------------------------------------------------- - Movies Inspired Looks update. Introduced 5 new Movies Inspired Looks LUTs. - Updated DJI D-Gamut - D-Log log conversion LUTs. - Added Movies Inspired Looks layer comps file. - Bumped version to 3.5.0 in line with the Professional Package. New LUTs: Call me by Your Name Get Out The Post The Revenant The Shape of Water Updated LUTs: DJI D-Gamut - D-Log to Rec709 DJI D-Gamut - D-Log to DCI P3 V 3.3.0 - 2018-01-04 ----------------------------------------------------------- - Updated Cineon Rec709 and P3 log conversion LUTs. V 3.2.0 - 2017-10-16 ----------------------------------------------------------- - Updated REDWideGamutRGB - Log3G10 to Rec2020 log conversion LUT. V 3.1.0 - 2017-07-19 ----------------------------------------------------------- - Updated DJI-Log conversion LUT - Updated two Skin Tone Manipulation LUTs for better compatibility with 8-bit formats and better skin tone response across a wider range of subjects. - Updated Skin Tone Manipulation layer comps file to reflect the updated LUTs. Updated Skin Tone Manipulation LUTs: STM-Naos.cube STM-Nautilus.cube V 3.0.2 - 2017-05-24 ----------------------------------------------------------- - Introduced Panasonic .vlt 17x17x17 monitoring LUTs for use with Panasonic cinema cameras. These monitoring LUTs are intended for Panasonic V-Gamut and V-Log formats and are concatenated with the Panasonic V-Gamut - Panasonic V-Log to Rec709 log conversion LUT. - We now separate the downloads in the My Account section of our website to 3D LUTs and Utilities. 3D LUTs download includes all of the creative and monitoring LUTs included in your package. Utilities download includes DaVinci Resolve Power Grades (professional package only), Layer Comps files and LUTs gallery. - Converted 1D log conversion LUTs for gamma-only formats into 3D LUTs for compatibility with Adobe Premiere Pro and Wondershare Filmora and updated 6 log conversion LUTs. Updated log conversion LUTs: DJI D-Log to DCI P3.cube DJI D-Log to Rec709.cube Panasonic Cine-D to DCI P3.cube Panasonic Cine-D to Rec709.cube Technicolor Cinestyle to DCI P3.cube Technicolor Cinestyle to Rec709.cube V 3.0.1 - 2017-05-04 ----------------------------------------------------------- - Updated monitoring LUTs for the new IPP2 workflow for improved compatibility with RED Scarlet-W cameras. The updated LUTs are concatenated with RED RWG_Log3G10 to REC709_BT1886 with MEDIUM_CONTRAST and ROLLOFF_4 size_33 log conversion LUTs. - Introduced 12 new log conversion LUTs: New log conversion LUTs: ACES Gamut AP0 - ACEScct to DCI P3.cube ACES Gamut AP0 - ACEScct to Rec709.cube ACES Gamut AP1 - ACEScct to DCI P3.cube ACES Gamut AP1 - ACEScct to Rec709.cube Bolex Wide Gamut - Bolex Log to DCI P3.cube Bolex Wide Gamut - Bolex Log to Rec709.cube Cineon Gamut - Cineon Log to DCI P3.cube Cineon Gamut - Cineon Log to Rec709.cube Fujifilm F-Log Gamut - Fujifilm F-Log to DCI P3.cube Fujifilm F-Log Gamut - Fujifilm F-Log to Rec709.cube Sony S-Gamut3 Cine - S-Log2 to DCI P3.cube Sony S-Gamut3 Cine - S-Log2 to Rec709.cube V 3.0.0 - 2017-01-19 ----------------------------------------------------------- - All-new color grading package with completely reworked color science for improved 8-bit footage compatibility - New creative color science for all LUTs in the package - Added ACES (AP0 and AP1) log conversion LUTs - Improved Kinelog log conversion LUTs - Added Canon Log conversion LUTs into LC709A for better and more natural color handling with C100 and C100 MKII - Added LUTs JPG gallery - Updated Layer Comps files to reflect the new LUTs - Updated Arri Look Files to reflect the new LUTs - Updated RED DSMC2 monitoring LUTs to reflect the new LUTs - Changed LUTs naming convention for improved compatibility with Windows operating system - Added category prefix to LUT names so they appear in alphabetical order when added to Lumetri panel in Premiere Pro - Converted all LUTs into .cube Resolve Legacy format for improved compatibility with wider range of applications V 2.2.0 - 2016-10-03 ----------------------------------------------------------- - Reworked skin tone and color response for some LUTs - Added KineLog log conversion LUTs Updated LUTs: Cine Looks Category Oligoclase Opal Orpiment Teal & Orange Category Lakelandite Magnetite V 2.1.0 - 2016-09-22 ----------------------------------------------------------- - Reworked color science behind generic log LUTs. We have updated the color science behind generic log LUTs to better suite a wider range of log formats with minimal adjustments needed. In addition, it is now much easier to color match the generic log LUTs to camera specific log conversion LUTs. - Introduced new log conversion LUTs - Added DCI-P3 log conversion LUTs - Changed the naming convention of the log conversion LUTs. Log conversion LUTs now have the following naming format: Source Color Gamut | Source Log Type - Destination for example: Sony S-Gamut3.Cine | S-Log3 - Rec.709 - Added 1D curve correction LUTs for pseudo log formats - Deprecated Rec.709 3D log conversions for pseudo log formats. These have been replaced by 1D curve correction LUTs as color gamut stays Rec.709. New LUTs: All Generic Log LUTs ACES | Cineon - DCI P3 ACES | Cineon - Rec.709 Alexa Wide Gamut | Alexa V2 Log C - DCI P3 Alexa Wide Gamut | Alexa V3 Log C - DCI P3 BMD Film 4.6K Gamut | BMD Film 4.6K - DCI P3 BMD Film 4.6K Gamut | BMD Film 4.6K - Rec.709 BMD Film 4.6K V3 Gamut | BMD Film 4.6K - DCI P3 BMD Film 4.6K V3 Gamut | BMD Film 4.6K - Rec.709 BMD Film 4K Gamut | BMD Film 4K - DCI P3 BMD Film 4K V3 Gamut | BMD Film 4K - DCI P3 BMD Film 4K V3 Gamut | BMD Film 4K - Rec.709 BMD Film Gamut | BMD Film - DCI P3 Canon Cinema Gamut | Canon Log - DCI P3 Canon Cinema Gamut | Canon Log 2 - DCI P3 Canon Cinema Gamut | Canon Log 3 - DCI P3 Canon DCI-P3+ | Canon Log 2 - DCI P3 Canon DCI-P3+ | Canon Log 2 - Rec.709 Canon DCI-P3+ | Canon Log 3 - DCI P3 Canon DCI-P3+ | Canon Log 3 - Rec.709 DRAGONcolor | REDLogFilm - DCI P3 DRAGONcolor2 | REDLogFilm - DCI P3 KineLOG | KineLOG - DCI P3 Panasonic V-Gamut | Panasonic V-Log - DCI P3 ProTune Native | ProTune Flat - DCI P3 Rec.709 | DJI D-Log - DCI P3 Rec.709 | DJI D-Log 1D LUT - Rec.709 Rec.709 | Panasonic Cine-D - DCI P3 Rec.709 | Panasonic Cine-D 1D LUT - Rec.709 Rec.709 | Technicolor Cinestyle - DCI P3 Rec.709 | Technicolor Cinestyle 1D LUT - Rec.709 REDcolor | REDLogFilm - DCI P3 REDcolor2 | REDLogFilm - DCI P3 REDcolor3 | REDLogFilm - DCI P3 REDcolor4 | REDLogFilm - DCI P3 Sony S-Gamut | S-Log - DCI P3 Sony S-Gamut | S-Log2 - DCI P3 Sony S-Gamut3.Cine | S-Log3 - DCI P3 Updated LUTs: Alexa Wide Gamut | Alexa V2 Log C - Rec.709 Alexa Wide Gamut | Alexa V3 Log C - Rec.709 BMD Film 4K Gamut | BMD Film 4K - Rec.709 BMD Film Gamut | BMD Film - Rec.709 Canon Cinema Gamut | Canon Log - Rec.709 Canon Cinema Gamut | Canon Log 2 - Rec.709 Canon Cinema Gamut | Canon Log 3 - Rec.709 DRAGONcolor | REDLogFilm - Rec.709 DRAGONcolor2 | REDLogFilm - Rec.709 KineLOG | KineLOG - Rec.709 Panasonic V-Gamut | Panasonic V-Log - Rec.709 ProTune Native | ProTune Flat - Rec.709 REDcolor | REDLogFilm - Rec.709 REDcolor2 | REDLogFilm - Rec.709 REDcolor3 | REDLogFilm - Rec.709 REDcolor4 | REDLogFilm - Rec.709 Sony S-Gamut | S-Log - Rec.709 Sony S-Gamut | S-Log2 - Rec.709 Sony S-Gamut3.Cine | S-Log3 - Rec.709 Deprecated LUTs: Panasonic Cine-D Rec.709 (Replaced with 1D curve correction LUT) Technicolor Cinestyle Rec.709 (Replaced with 1D curve correction LUT) V 2.0.8 - 2016-09-15 ----------------------------------------------------------- - Updated four log conversion LUTs. Improved math behind REDWideGamutRGB Log3G10 log conversion LUTs. Updated LUTs: REDLog3G10 - REDWideGamutRGB - DCI-P3 REDLog3G10 - REDWideGamutRGB - Rec.709 REDLog3G10 - REDWideGamutRGB - Rec.2020 REDLog3G10 - REDWideGamutRGB - SMPTE ST 2084 V 2.0.7 - 2016-09-13 ----------------------------------------------------------- - Added two new Log conversion LUTs - Updated two Log conversion LUTs New LUTs: REDLog3G10 - REDWideGamutRGB - Rec.2020 REDLog3G10 - REDWideGamutRGB - SMPTE ST 2084 Updated LUTs: REDLog3G10 - REDWideGamutRGB - DCI-P3 REDLog3G10 - REDWideGamutRGB - Rec.709 V 2.0.6 - 2016-09-09 ----------------------------------------------------------- - Added new Log conversion LUTs - We now support the New log from RED - REDLog3G10 - We now support the new color space from RED - REDWideGamutRGB New LUTs: Canon C-Log3 KineLOG REDLog3G10 - REDWideGamutRGB - DCI-P3 - For HDR applications REDLog3G10 - REDWideGamutRGB - Rec.709 - For SDR applications V 2.0.5 - 2016-08-25 ----------------------------------------------------------- - Created generic Log LUTs for all our LUTs. In order to increase the flexibility of the creative process all of our color grading LUTs are decoupled from any Log to Rec.709 conversions. This means, if your footage is of Log type, you should normalise it (convert from Log to Rec.709/sRGB color space) prior to using one of our color grading LUTs. However, due to popular demand we created generic Log LUTs for those instances where it may not be applicable to use two LUTs - one for Log conversion and one for color grade. Please note it is strongly advisable that where applicable you use two LUTs for your color grading process - 1) Log conversion LUT specifically tailored for your camera Log format 2) Standard creative color grading LUT. - Small structural package change. Folder structure tree is now more organised. V 2.0.4 - 2016-08-18 ----------------------------------------------------------- - Added Arri Look Files for all our LUTs for use with Arri Amira/Alexa line of cameras. The new Arri Look Files are available inside 'Monitoring LUTs' sub-folder of the 'Utility LUTs' directory. Please DO NOT use these Look Files for color grading your images inside your color grading software. These Look Files are intended for monitoring purposes only with the line of Arri Amira/Alexa cameras and should be used accordingly. V 2.0.3 - 2016-08-12 ----------------------------------------------------------- - Created monitoring LUTs from all our LUTs for RED DSMC2 cameras. The new monitoring LUTs are available inside 'Monitoring LUTs' sub-folder of the 'Utility LUTs' directory. Please DO NOT use these monitoring LUTs for color grading your images inside your color grading software. These LUTs are intended for monitoring purposes only for RED DSMC2 cameras and should be used accordingly. - We reverted back the structural change from version 2.0.2. Log Conversion LUTs are no longer in 'Utility LUTs' folder as we found out some customers were missing it. Log Conversion LUTs are inside 'Log Conversion LUTs' sub-folder of the '3D LUTs' directory. V 2.0.2 - 2016-07-28 ----------------------------------------------------------- - Added 20 white balance utility LUTs. White balance utility LUTs allow you to balance and correct lighting sources of different white balance values. - Small structural package change. The package now includes a Utility LUTs folder which contains two sub folders - Log Conversions (previously Log Normalization) and White Balance. NEW LUTs: Utility LUTs sub-category: 2800 Kelvin - 3200 Kelvin - 0.34 CTO.cube 2800 Kelvin - 4300 Kelvin - 0.95 CTO.cube 2800 Kelvin - 5500 Kelvin - 1.34 CTO.cube 2800 Kelvin - 6500 Kelvin - 1.56 CTO.cube 3200 Kelvin - 2800 Kelvin - 0.34 CTB.cube 3200 Kelvin - 4300 Kelvin - 0.61 CTO.cube 3200 Kelvin - 5500 Kelvin - 1.00 CTO.cube 3200 Kelvin - 6500 Kelvin - 1.21 CTO.cube 4300 Kelvin - 2800 Kelvin - 0.95 CTB.cube 4300 Kelvin - 3200 Kelvin - 0.61 CTB.cube 4300 Kelvin - 5500 Kelvin - 0.39 CTO.cube 4300 Kelvin - 6500 Kelvin - 0.60 CTO.cube 5500 Kelvin - 2800 Kelvin - 1.34 CTB.cube 5500 Kelvin - 3200 Kelvin - 1.00 CTB.cube 5500 Kelvin - 4300 Kelvin - 0.39 CTB.cube 5500 Kelvin - 6500 Kelvin - 0.21 CTO.cube 6500 Kelvin - 2800 Kelvin - 1.56 CTB.cube 6500 Kelvin - 3200 Kelvin - 1.21 CTB.cube 6500 Kelvin - 4300 Kelvin - 0.60 CTB.cube 6500 Kelvin - 5500 Kelvin - 0.21 CTB.cube V 2.0.1 - 2016-07-21 ----------------------------------------------------------- - Cosmetic change. Removed DOMAIN_MIN and DOMAIN_MAX values from LUTs to improve compatibility with OpenColorIO based software in general and Lightworks NLE in particular. V 2.0.0 - 2016-07-05 ----------------------------------------------------------- - Merged Color Film Stock package partially into Basic Package. LUTs from the Color Film Stock Package are now located in the Cine Looks sub-category of the Basic Package. Color Film Stock Package is deprecated. It's available in its entirety inside the Professional Package. - Added 5 new Cine Looks LUTs. - Merged Vintage Film Stock package partially into Basic Package. LUTs from the Vintage Film Stock Package are now located in the Vintage Films sub-category of the Basic Package. Vintage Film Stock Package is deprecated. It's available in its entirety inside the Professional Package. - Added 3 new Vintage Films LUTs - Added 2 new Teal & Orange LUTs - Added Cine Looks Layer Comps file. - Updated all Layer Comps files to reflect the newly added LUTs. - Standard Package now offers 30 LUTs in total. NEW LUTs: Cine Looks sub-category: Oligoclase Opal Orpiment Petalite Pietersite Vintage Films sub-category: Fluorite Blue Sky Fluorite Venus Fuchsite Teal & Orange sub-category: Magnetite Mariposite V 1.0.3 - 2016-06-26 ----------------------------------------------------------- - Updated and unified ALL LUT sizes to 33^3 cube size for better compatibility with different software packages, in particular Arri Color Tool and Adobe Premiere Pro systems with older Nvidia GPU cards. - Updated all Layer Comps files to reflect the new LUTs size change. - Added 5 new Teal & Orange 3D LUTs. New LUTs: Lava Magnetite Mica Moldavite Molybdenite V 1.0.2 - 2016-05-30 ----------------------------------------------------------- - Updated Log conversion LUTs. - Sony Log conversion LUTs use now LC-709A as output gamma and Rec.709 as output gamut for better skintone response. - Added specific support for DRAGONColor, DRAGONColor2, REDColor, REDColor2, REDColor3, REDColor4 instead of generic REDLogFilm. New LUTs: DJI D-Log REDLogFilm-DRAGONColor REDLogFilm-DRAGONColor2 REDLogFilm-REDColor REDLogFilm-REDColor2 REDLogFilm-REDColor3 REDLogFilm-REDColor4 Updated LUTs: BMD Film 4K BMD Film Panasonic V-Log Sony S-Log Sony S-Log2 Sony S-Log3 Deprecated LUTs: DJI Inspire REDLogFilm V 1.0.1 - 2016-05-08 ----------------------------------------------------------- - Updated Teal & Orange LUTs. Updated LUTs: Lakelandite Lapis Lazuli Lollingite Malachite V 1.0.0 - 2016-04-01 ----------------------------------------------------------- - Initial Release